AWARDS RADAR

https://awardsradar.com/2023/02/07/interview-production-designer-jenny-moller/

Interview: Production Designer Jenny Möller Talks Working With John Hyams for ‘Sick’

John Hyams’ Sick continues the trend of films set during the COVID-19 pandemic. However, this one is specifically set during the early days of the lockdown, in which the two protagonists, Parker (Gideon Adlon) and Miri (Beth Million), isolate themselves in Parker’s lake house during the lockdown. Making a movie like this requires capturing a sense of isolation, especially with how the sets are chosen and designed, as described by production designer Jenny Möller: - FULL ARTICLE @https://awardsradar.com/2023/02/07/interview-production-designer-jenny-moller/

SYFY WIRE

https://www.syfy.com/syfy-wire/sick-production-design-jenny-moller-peacock-interview

'SICK' PRODUCTION'S DESIGN WAS INSPIRED BY 'WORLD WAR Z' AND 'A QUIET PLACE'

t's crazy to think how we're about to hit the 3-year anniversary of when the novel coronavirus completely changed our world forever. Those early months of lockdown — the fear, the uncertainty, the panicky hoarding of toilet paper — felt like humanity's number was finally up; that the fabled end of days had finally arrived on our collective doorstep, four horsemen in tow.

Most of us would probably like to have the memory of that existential dread wiped from our brains, but production designer Jenny Möller (Happily) found herself relying on it for Kevin Williamson's pandemic-inspired slasher flick, SICK (exclusively streaming on Peacock right now).

THE HOLLYWOOD REPORTER

https://www.hollywoodreporter.com/movies/movie-reviews/happily-film-review-4152185/

HAPPILY - [Grabinski — whose primary credit is writing and producing numerous episodes of the Nickelodeon horror anthology series Are You Afraid of the Dark? — infuses the outlandish proceedings with ample visual stylishness, abetted by Adam Bricker’s arresting cinematography and Jenny Möller’s striking production design. The eclectic soundtrack, featuring an array of vintage ’80s pop tunes, proves another asset.]

FANGOIRA

https://www.fangoria.com/original/review-southbound/

Southbound overall is exceedingly well-crafted: The cinematography by various DPs is excellent, whether out on the sun-baked sand or deep in the hospital’s shadowy confines, production designer Jennifer Moller creates atmospherically varied yet thematically united settings and the chapters are further tied together by the eerie score by The Gifted. While the directors put their own spin on their individual entries, they’re all traveling the same highway, their tales united via fluid transitions and wrapped up in insinuating narration by Larry Fessenden. All these contributions help Southbound avoid the stop-and-start discontinuity of some anthologies, and make it a trip well worth taking.